Robert Collins

About Spring

The green grass, blooming flowers, and recent temperature increase in Minnesota has me thinking a lot about spring. Thoughts about the season were interpreted at the University Gallery in June of 1955 in an exhibit simply titled, “About Spring.”

An exhibition poster promoted the seasonal exhibition:

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AboutSpring_1955-Announce.jpgAn exhibition publicity release from June 1955 (left) found in the gallery press books from the 1950s-60s provided a description of the exhibition:

About Spring – to July 15. A group of 40 paintings, prints, and drawings from local sources are being shown in the fourth floor gallery. Landscapes, flower still lifes and other subjects related to the season are accompanied by evocative stanzas from English and American poets. Among the artists represented are: Adolf Dehn, Leon Hartl, Louis Eilshemius, Kurt Roesch, B.J.O. Nordfeldt, Milton Avery, Marsden Hartley, and Sue Fuller as well as members of the Department of Art: Cameron Booth, Robert Collins, and Josephine Lutz Rollins. Other paintings were loaned by the Minneapolis Institute of Art and Walker Art Center.

In searching through the links to the artists’ works as represented in WAM’s collection on the Digital Content Library, I found a variety of landscapes and works of still life that could capture the essence of spring. But it wasn’t until I came across a series of landscapes by B.J.O. Nordfeldt that I found a visual representation that matches what I think spring is all about…


Robert Collins: Simple Design

When not processing, researching, or blogging about the WAM archival collection, I try to take some time to visit other museums – which I did this afternoon to view the Walker Art Center’s new exhibit, Graphic Design: Now in Production. The exhibit features the vast changes in design over the course of the past ten years. After my visit, my attention again returned to the WAM Files only to find that 58 years ago on this very day, November 5, 1953, a display of graphic designs and other works by Robert Collins, then assistant professor of design at the University, opened at the University Gallery.

A U News Service Press Release from October 26, 1953 (Digital Conservancy) describes the exhibition:

“The show covers Collins’ work since 1943. It includes paintings, caseins, drawings, textile and graphic designs and some illustrations and decorative drawings done for Ford Motor company publications.”

Two exhibit photographs were included in the folder titled, “Bob Collins” contained in Box 4:

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Correspondence between Ruth Lawrence, Gallery Director, and Collins reveal details of exhibit planning:

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Cats_100_RobertCollins_1953.jpgIn the catalog produced for the exhibit, Collins comments, “I would defeat my own purpose, here, if I continued to recount the complexities and intricacies of picture making, and of designing. No matter to what degree such involvements complicate the achievement of a coherent statement, the process remains essentially unchanged and fundamentally simple. One selects and puts together lines, shapes and colors.

After viewing the complexities and intricacies of designing of the past ten years this morning, encountering Collins’ 1953 exhibit and simple statement this afternoon – is simply appreciated.