December 2017

Familiar Places: A Guide to the Architecture of Minnesota

It was a great day when I opened a banker box to find hundreds of glossy, black and white photos of buildings–I love the nostalgia of old photographs, I love how architecture can be a time capsule reflecting the sensibilities and priorities of a community at a particular point in time and I have a growing curiosity about what was here before. I was delighted to discover they are all photos of structures that exist(ed) in Minnesota. There are over 2800 2″x 2″ contact prints of over 900 buildings and structures and more than 700 8″ x 10″ glossy photos.  Given my job, naturally I ask: How are these connected to the University and the Weisman Art Museum (WAM) archives? Were they in an exhibition? For a catalog?

With a little digging I found the photos were included in the book A Guide to the Architecture of Minnesota, by David Gebhard and Tom Martinson and published by the U Press in 1977.

“This book was conceived from its inception to supplement and augment the Bicentennial exhibition, The Art and Architecture of Minnesota‚ organized and presented by the University Gallery in conjunction with the Minnesota Society of Architects. The exhibition was more than three years in the planning stages, and at every step our desire was to publish something other than an exhibition catalogue — something at once less ephemeral and more comprehensive yet not boring that ubiquitous person, the “interested layman,” with heavily erudite prose. In the end we decided to publish A Guide to the Architecture of Minnesota.”

~From the forward by Barbara Shissler, Director of University Gallery (UMN) and Daniel Sheridan, Executive Director of MN Society of Architects.

Based on the large amount of large format photos in the archives, I incorrectly expected this to be a coffeetable book. Instead, the book is small, thick and crammed with words in a small font.

Inside: razed buildings

Inside: typical page

 

 

 

 

 

 

 

 

While the book is brimming with information, the pictures are tiny and surprisingly few. Here at the WAM Files, you get to enjoy a select few digital versions in comparatively glorious medium-high resolution! All the photos are believed to be taken in the mid-1970s by co-author Tom Martinson. The dates included on the labels usually refer to the construction dates of the buildings.

Mickey’s Diner (below), now on the National Register of Historic Places. Circa 1977 (when 9 year olds could wander downtown St. Paul alone).

 

Cedar Square West (below), today known as Riverside Plaza, was designed by famed local architect Ralph Rapson who ran with the likes of Charles and Ray Eames, Harry Bertoia and Eero Saarinen. It is an icon of the Minneapolis skyline with its primary colored panels, located just outside Minneapolis’ downtown district.

The Stone Arch Bridge (below), today a pedestrian bridge, was in use as a train bridge until at least 1978, just a year or so after this picture was taken.

This view of the milling district (below) on the North side of the river is surprisingly similar today.

Minneapolis wouldn’t be Minneapolis without Skyways (below). Minnesotans have come up with some pretty clever ways to adapt to winter-life here and Skyways have got to be one of my favorites. This shot was taken between the IDS tower and (I believe) the former Dayton’s department store, crossing Nicollet Mall. Circa 1977.

The shelter on the west side of Loring Park (below) is a far cry prettier today with fresh paint and a cupola restored.

The ever-evolving Walker Art Center (below), designed by Edward Larrabee Barnes, opened in 1971 and shown here with two Alexander Calder sculptures, Spinner and Octopus.

Modern Cleaner building (below) is today the Modern Times Cafe in south Minneapolis. You’ll know it when you see it by its bright lime green and orange exterior. 

 

Mayflower Congregational Church on Diamond Lake Rd off of Highway 35 W, circa 1977. Today, this is The Museum of Russian Art.

Southdale Shopping Center (bellow)was the first fully enclosed shopping mall in the nation. It was quite luxurious, complete with Harry Bertoia sculptures, at least one of which remains in the space today.

Is that a two-story bird cage?

This is a fraction of the photos that seemed most familiar, but there were so many more. Hence, this is just the first of a few posts yet to come that will contain sculptures, architectural quirkiness, futuristic and brutalist buildings and more. Or if you’d rather, the photos and notes of co-author Tom Martinson are tidily awaiting your visit in box number 248.

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.


The gift of a letter

Photo by Don Wong.

While processing the archival collection of the Weisman Art Museum, I stumbled upon a heartwarming exchange between a UMN Ph. D candidate and Frederick R. Weisman himself. Copies of the letters dated July 21, 1993 and July 26, 1993 are in a folder amidst other reactions to the newly built Gehry-designed museum building.

Dear Mr. Weisman,  (Although I must tell you, I think of you as Fred)

Quite simply, I am too old to be writing a letter like this. But since I have never before written one, and since the intensity of my pleasure and gratitude seem to warrant some sort of excess, I hope you will forgive a little gushing.

What I want to do is thank you for my building. The University of Minnesota Art Museum. It is very much my building. And it is one of the most treasured gifts I have ever been given. I take a walk every afternoon, and leave, all year, leaving lectures still only half written, dissertation notes open on my desk, student papers ungraded, the  cooking, organizing, trimming, tending, all suspended. I leave, that is, my real world, cross campus, and walk back. and forth across the Washington Avenue bridge several times. My reaction is the same every day. I am each day astounded at the beauty, the humour, the complexity, the sweetness, of the building you have given me. I smile, I laugh, I feel peaceful and refreshed. I frequently have insights about my researcher; if it turns out to be anything other than prosaic, this dissertation I am wrestling with, it will be because your building, my building, shakes me, allows me to let go a little, lets me giggle, helps me understand what is beyond describing.

Weisman, touched by the letter, wrote back immediately.

Dear [Ph. D candidate], (although I think, of you as my good friend)

I received your letter today and I’m answering you today. In fact, I’ve put aside all other matters simply to answer your letter.

Your letter is a gift to me. I have received many letters from the citizens of Minneapolis, (all, thank heavens, praising the museum.) None, however, have caused tears to come to my eyes as yours did. You pay me a great honor and I shall cherish and keep your letter as the lovely tribute that it is.

I hope the Frederick R. Weisman Museum of Art will continue to make you happy, to help you chuckle, to make your days a little more exciting when everything seems rather mundane and tiresome. It will bring an added dimension to the pleasure I derive from the museum while living many miles away in California.

Thank you for your dear letter.

Cordially,

Frederick R. Weisman

As I rush about this holiday season, I will try remember to stop and appreciate the gifts all around, like the walk across the Washington bridge with the view of an ever-changing, inspiring building.

 

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.


Twist and Seek(ins)

 

I’ve been deep into processing photographs this week and was warmed by these photos from the 2001 opening for “Minnesota Art with a Twist”. Winter can be long and cold here, and maybe to some we seem a little wacky for putting up with it. Perhaps that’s just what inspired the theme of this exhibition–unconventional and a bit off-the wall, yet perfectly Minnesota. Cheese curds and french fries were served with wine at this event. There were roving jugglers and dancers, and for the kids, balloon animals and Twister. WAM Director Lyndel King wore a striking Nancy MacKenzie textile creation made from unexpected materials. Even more and rightfully so, the humorous, quirky, anything-but-normal works by Minnesota artists stole the show.

King wearing a Nancy MacKenzie creation for MN Art with a Twist

Gallery opening for MN Art with a Twist, with works by Donald Myhre and Herb Grika.

Art, off-the-wall and right back onto it. Guests marvel at the artworks in MN Art with a Twist.

Local artist and persona, Scott Seekins even made an appearance. I haven’t seen much of this local legend recently, but if ever there was an exhibition where I think he would fit in, this might be it. Perhaps he’ll make another appearance at WAM’s preview party for Prince from Minneapolis this week?

Local artist and persona, Scott Seekins shaking hands with Colleen Sheehy, former Director of Education at WAM (now head of Public Art Saint Paul), at the opening of MN Art with a Twist.

 

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.


Graduate Studies… with a View

 

 

Imagine its the mid-1990’s and you’re trying to decide between grad schools while paging through all the printed catalogs you got in the mail last week. You come across these photos of stylish grad students, studying on the terrace of the spandy new Weisman Art Museum overlooking the Washington Ave bridge and Minneapolis’s downtown cityscape complete with Metrodome Stadium. Then, imagine yourself in the same situation. Pretty tempting, right?

Photo by Tom Foley.

Photo by Tom Foley.

Photo by Tom Foley.

When the snow isn’t flying (as it is today), WAM’s terrace is open to all visitors. But until spring, you’ll have to enjoy the view through the windows.

These photos were taken by long time UMN photographer, Tom Foley. While these images are not a part of WAM’s archival collection, it seemed appropriate to share them here. These images can be found in the Tom Foley Photo Collection, folder “Grad School”.

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.