
If American modernism had a soundtrack, it would be jazz. A homegrown genre, its music came to define the burgeoning northern cities, the cultural forms of black expression, and an avant-garde impetus to question established boundaries.
Reviewed By: Kelsey Gustin
If American modernism had a soundtrack, it would be jazz. A homegrown genre, its music came to define the burgeoning northern cities, the cultural forms of black expression, and an avant-garde impetus to question established boundaries.
When I was working on my dissertation on constructions of American cultural identities in fin-de-siècle Paris at Washington University in St. Louis in about 2009, I stumbled upon a five hundred page English-language novel published in 1904 by a French artist.
Category: Research Notes
Tags: 2.1, Emily C. Burns, Jean-André Castaigne, Luděk Marold, twentieth-century art
Category: Book Reviews
Tags: 1.2, Hayan Kim, Maurice Berger, modernism, television, twentieth-century art
Reviewed By: Vivien Green Fryd
Category: Book Reviews
Tags: 1.2, African American art, Archibald Motley, modernism, Richard Powell, twentieth-century art, Vivien Green Fryd
Reviewed By: Erin Gray
John W. Winkler (1894–1979) was born in Vienna and immigrated to the United States as a young man. Arriving in San Francisco in 1912, he studied with the painter and printmaker Frank Van Sloun at the San Francisco Institute of Art, and by the 1920s, he was an internationally celebrated etcher.
Category: Feature Articles
Tags: 1.1, Jon W. Winkler, Louise Siddons, twentieth-century art, works on paper
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