
Jessica Horton brings a wealth of contextual material and a compelling theoretical frame to her discussion of the influence of Native American history, culture, and politics on late twentieth-century American art.
Jessica Horton brings a wealth of contextual material and a compelling theoretical frame to her discussion of the influence of Native American history, culture, and politics on late twentieth-century American art.
The seemingly paradoxical phrase indicates that an enduring disposition toward Native cultures as earth-sensitive alternatives to the damaging ideologies and practices of Euro-American industrial modernity is inadequate to the challenges of complex crises.
Category: Bully Pulpit
Tags: 5.1, ecocriticism, Homer Dodge Martin, Jessica L. Horton, Louisa Keyser
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