Edited by Naomi Slipp
The invited essays included in this section offer nuanced readings of artists spanning nearly a century, whose engagement with European art and artistic tradition vary from full-throated adulation to subtle and unspoken resonances.
Considering the era of its making—the decade of the Vietnam War and resistance to it in many national capitals, anti-government protests across the globe, and both nonviolent and armed uprisings against institutional discrimination and social inequity—Mauritius provokes questions about human conflicts, their histories, and their costs.
Long before I met an art historian and long before I trained to become one, I knew that museums were sources and resources and that they were sites of social and cultural capital. I also did not expect museums to connect with me, and I did not care much if they did.
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