The invited essays included in this section offer nuanced readings of artists spanning nearly a century, whose engagement with European art and artistic tradition vary from full-throated adulation to subtle and unspoken resonances.
Tag: Adrienne L. Childs
This special section of Panorama entitled “Riff: African American Artists and the European Canon” is an outgrowth of an Association for Critical Race Art History panel of the same name that took place at the annual meeting of the College Art Association in 2017. The five essays included in this section offer nuanced readings of artists spanning nearly a century, whose engagement with European art and artistic tradition vary from full-throated adulation to subtle and unspoken resonances.