I was struck that contemporary viewers of Weber’s painting apparently did not mind the vagueness of the image’s relation to the American land it was thought to depict. . . . Weber was thought to ably capture a quintessential national identity through nature, even if he appeared unwilling to brand his work as a glorification of a strictly American spirit.
By depicting a celebrated African site singled out by African Americans at an 1843 state convention in Michigan as proof that “we are worthy of the name of American citizens,” as asserted by Committee Chairman William Lambert, Duncanson was expressing race pride and alliance with African Americans seeking enfranchisement.
The copyright of these individual works published by the University of Minnesota Libraries Publishing remains with the original creator or editorial team. For uses beyond those covered by law or the Creative Commons license, permission to reuse should be sought directly from the copyright owner listed in the About pages.