Fall 2018 (4.2)

Issue 4.2
Editors' Welcome

Issue 4.2

M. Elizabeth Boone, John P. Bowles, Lauren Lessing
Wet Weather and Fertile Ground: AHAA 2018
News

Wet Weather and Fertile Ground: AHAA 2018

Vanessa Reubendale
header image showing 2 groups meeting as their horse-drawn carriages pass each other in a field
Feature Article

“A Kind of Traveling Gazette”: Edward Lamson Henry’s The Latest Village Scandal, Gossip, and History at the Dawn of Sensational Journalism

Nicole J. Williams
Image of a black man with a mustache wearing a white shirt
Feature Article

Elevated: Along the Fringes of 291 Fifth Avenue

Tara Kohn
An Interview with the Curators of <em>Thomas Cole’s Journey: Atlantic Crossings</em>
In the Round

An Interview with the Curators of Thomas Cole’s Journey: Atlantic Crossings

William L. Coleman, Elizabeth Mankin Kornhauser, Tim Barringer
Looking for Love: Identifying Robert Rauschenberg’s Collage Elements in a Lost, Early Work
Research Note

Looking for Love: Identifying Robert Rauschenberg’s Collage Elements in a Lost, Early Work

Greg Allen
Dating <em>Miss Maude Adams, as “L’Aiglon”</em>
Research Note

Dating Miss Maude Adams, as “L’Aiglon”

Leslie Anne Anderson
Painting of 2 boys and 1 man sitting in an alley space
Research Note

Playing the Race Card: Thomas Le Clear’s High, Jack, Game

Tanya Sheehan
Painting of a Spanish girl wearing a red dress with red flowers in her hair
Research Note

The Paintings Left Behind: Two New Paintings by Mary Cassatt from Seville

M. Elizabeth Boone
Bird sculpture made from wood and shell
Bully Pulpit
Kathryn Bunn-Marcuse

Textualizing Intangible Cultural Heritage: Querying the Methods of Art History

Karen Kramer, Curator of Native American and Oceanic Art and Culture and Director of the Native American Fellowship Program, Peabody Essex Museum
Bully Pulpit

Karen Kramer, Curator of Native American and Oceanic Art and Culture and Director of the Native American Fellowship Program, Peabody Essex Museum

Karen Kramer
Jami Powell, Associate Curator of Native American Art, Hood Museum of Art, Dartmouth College
Bully Pulpit

Jami Powell, Associate Curator of Native American Art, Hood Museum of Art, Dartmouth College

Jami Powell
heather ahtone (Choctaw/Chickasaw), Senior Curator, American Indian Cultural Center and Museum, Oklahoma City
Bully Pulpit

heather ahtone (Choctaw/Chickasaw), Senior Curator, American Indian Cultural Center and Museum, Oklahoma City

heather ahtone
Book cover of "Picturing"
Book Review

Terra Foundation Essays, volumes 1–4

Reviewed by Derrick R. Cartwright
Boston Furniture, 1700–1900
Book Review

Boston Furniture, 1700–1900

Reviewed by Ethan W. Lasser
Republic of Taste: Art, Politics, and Everyday Life in Early America
Book Review

Republic of Taste: Art, Politics, and Everyday Life in Early America

Reviewed by Julia A. Sienkewicz
Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock
Book Review

Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock

Reviewed by Mary Campbell
Book cover for "The Other American Moderns" by Shi Pu Wang
Book Review

The Other American Moderns: Matsura, Ishigaki, Noda, Hayakawa

Reviewed by Diana Linden
Tamayo: The New York Years
Book Review

Tamayo: The New York Years

Reviewed by Mark A. Castro
American Women Artists, 1935–1970: Gender, Culture, and Politics
Book Review

American Women Artists, 1935–1970: Gender, Culture, and Politics

Reviewed by Rachel Middleman
Drawing of a building-in-progress, but not completed
Exhibition Review

Thomas Cole: Eden to Empire and Ed Ruscha: Course of Empire

Reviewed by David Brody
Frederic Church: A Painter’s Pilgrimage and</em> Costume & Custom: Middle Eastern Threads at Olana
Exhibition Review

Frederic Church: A Painter’s Pilgrimage and Costume & Custom: Middle Eastern Threads at Olana

Reviewed by Katherine Manthorne
Abstract style painting of textured lines of various colors including blue, black, yellow, and red
Exhibition Review

Mark Bradford: Pickett’s Charge

Reviewed by Tobias Wofford
Brand New: Art and Commodity in the 1980s
Exhibition Review

Brand New: Art and Commodity in the 1980s

Reviewed by Andrew Wasserman
Installation wall with 6 paintings of various colors
Exhibition Review

Howardena Pindell: What Remains To Be Seen

Reviewed by Andrea Douglas
Painting of a wedding with family looking on in a garden area with yellow flowers
Exhibition Review

Faith Ringgold: Paintings and Story Quilts, 1964–2017

Reviewed by Debra Hanson
header image of an illustration of 2 male figures in red, yellow, and blue
Exhibition Review

Arte Diseño Xicágo: Mexican Inspiration from the World’s Columbian Exposition to the Civil Rights Era  

Reviewed by Mia Lopez
art installation of 6 colored pillars around the room in the colors black, yellow, red, and white
Exhibition Review

In the Tower: Anne Truitt

Reviewed by Mark L. Hanin
Illustration of 2 plants with yellow and pink buds
Exhibition Review

Charting the Divine Plan: The Art of Orra White Hitchcock (1796–1863)

Reviewed by Amber Harper