The practice of connoisseurship occupies a complicated position within the contemporary realm of art history. In recent decades, the legacy and economic connotations of connoisseurship have clashed with the aims and attitudes of many scholars.
Erica E. Hirshler, Croll Senior Curator of American Paintings; Museum of Fine Arts, Boston
A. Joan Saab, Chair, Department of Art and Art History, University of Rochester
Theodore E. Stebbins Jr., Curator of American Art, Emeritus, Harvard Art Museums
Alan Wallach, Professor Emeritus, The College of William and Mary
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