The practice of connoisseurship occupies a complicated position within the contemporary realm of art history. In recent decades, the legacy and economic connotations of connoisseurship have clashed with the aims and attitudes of many scholars.
Erica E. Hirshler, Croll Senior Curator of American Paintings; Museum of Fine Arts, Boston
A. Joan Saab, Chair, Department of Art and Art History, University of Rochester
Theodore E. Stebbins Jr., Curator of American Art, Emeritus, Harvard Art Museums
Alan Wallach, Professor Emeritus, The College of William and Mary
Home | Contact Publishing Services | My Account
Privacy | Acceptable Use of IT Resources
The copyright of these individual works published by the University of Minnesota Libraries Publishing remains with the original creator or editorial team. For uses beyond those covered by law or the Creative Commons license, permission to reuse should be sought directly from the copyright owner listed in the About pages.