Category: In the Round

During the last half century, the history of American sculpture has been transformed dramatically. Very roughly, during the first twenty-five years (i.e., from the late 1960s to mid-1990s), scholars used object- or artist-based documentary scholarship, connoisseurship, and formalist analyses to create the foundation publications.

In this suite of short essays, three specialists in the history of American sculpture consider the history of its formation and the direction of its future course: Roberta K. Tarbell, “Fifty Years of the History of American Sculpture”; Elise Madeleine Ciregna, “Cemeteries and Ideal Sculpture”; and Jennifer Wingate, “Sculpture and Lived Space.”

The Columbus Museum of Art has enjoyed a longstanding reputation for the strength of its American collection. This is due on one hand to a gift of American modernism by Ferdinand Howald (1856–1934) in 1931, which includes major works by Charles Demuth, Arthur Dove, Marsden Hartley, Morton Schamberg, and Charles Sheeler, among others.

Jules Prown’s approach to making and teaching art history is among the most well documented methodologies in the discipline. Look no further than his canonical “Style as Evidence” (1980) or “Mind in Matter” (1982). What he offers here will enter the historical record as a complement to these earlier pieces.