Category: In the Round

By recovering the motivation of love that set aloft the freedom in Morgan to determine her artistic path—that which she voiced in terms of the pleasures of intimacy with God—we witness how amateurism operates as a critical position committed to other allegiances and defined by other competencies, even as it interacts and interweaves with the formal codes, networks, and sociocultural norms of professionalism.

Thomas Cole’s Journey: Atlantic Crossings marks a turning point for early American art in the popular consciousness, both at home and abroad, by challenging the nativism and conservatism that surrounds narratives of that most marketable and yet most fraught of Americanist brand names: “Hudson River School.”

This special section of Panorama entitled “Riff: African American Artists and the European Canon” is an outgrowth of an Association for Critical Race Art History panel of the same name that took place at the annual meeting of the College Art Association in 2017. The five essays included in this section offer nuanced readings of artists spanning nearly a century, whose engagement with European art and artistic tradition vary from full-throated adulation to subtle and unspoken resonances.

Considering the era of its making—the decade of the Vietnam War and resistance to it in many national capitals, anti-government protests across the globe, and both nonviolent and armed uprisings against institutional discrimination and social inequity—Mauritius provokes questions about human conflicts, their histories, and their costs.

Throughout his more than four-decade-long career in the arts, Brooker has created a distinctive artistic language that calls out to viewers to not only look at his work as arrangements of patterns, colors, and shapes on canvas or paper, but also as investigations into the divine.