Curated by Donna M. Cassidy, Elizabeth Finch, and Randall R. Griffey
The Met Breuer, New York
Reviewed by: Margarita Karasoulas, Assistant Curator of American Art, Brooklyn Museum, and doctoral candidate, Department of Art History, University of Delaware
UC-Berkeley Art Museum and Pacific Film Archive.
Curated by Darcy Grimaldo Grigsby, Stephanie Cannizzo, and Ryan Serpa.
Reviewed by Jackie Clay.
The Phillips Collection and the Museum of Fine Arts, Boston
Curated by Katherine M. Bourguignon, Giovanna Ginex, Erica E. Hirshler, and Elsa Smithgall
Reviewed by Christina Michelon
The Metropolitan Museum of Art, New York
Curated by Helen Molesworth, Dieter Roelstraete, and Ian Alteveer
Reviewed by Diana Tuite
Intuit: The Center for Intuitive and Outsider Art, Chicago
Curated by Fahim Majeed
Reviewed by Elaine Y. Yau
Undoubtedly students, scholars, and general enthusiasts marveled at the many renowned works of art featured in the traveling exhibition, Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection.
Open Plan importantly asked audiences to rethink exhibitions as productions in time and not just in space (or place). The multi-platform, performative show was the result of a multitude of contributors and collaborators.
O’Keeffe, Stettheimer, Torr, Zorach: Women Modernists in New York at the Portland Museum of Art brings together the art of four American women artists who worked in New York City from about 1910 to 1935.
Legacy takes time. Such is the case with Black Mountain College, a progressive, rural North Carolina college renowned for placing the arts at the center of its communal, collegiate experience.
Scottsdale in the spring is a chaotic convergence of spring training and outdoor art festivals. At the cultural epicenter is the Scottsdale Museum of Contemporary Art, which recently featured a late-career retrospective of the distinguished artist Betye Saar (b. 1926).