faculty

Fall Exhibitions, 1975

Web_O_Fall1975.jpgFound: A poster announcing fall exhibitions at the University Gallery, 1975.

Curious as to what the exhibition titled, “Works By Studio Arts Faculty,” on display 36 years ago was comprised of, I naturally turned to the Digital Conservancy for answers:

A U of M News Service Release from October 28, 1975 (Digital Conservancy), provided more detail:

“Films on filmmaking by Taka Iimura, a large kinetic sculpture by Guy Baldwin, porcelain miniatures by Tom Rose, and new lithographs by Zigmunds Priede will be featured in the Studio Arts Faculty Exhibition opening Monday (Nov. 3) in the University Gallery at the University of Minnesota.”

The release further describes the faculty members that were represented in the exhibit (certain artists are linked to the U of M’s Digital Content Library holdings, as well as external links):

“Other University faculty members participating in the exhibition are Mary Abbott, oils, watercolors and charcoal; Karl E. Bethke, intaglio prints and photographs; Peter Busa, oils; Victor Caglioti, acrylics; Thomas Cowette, tempera, acrylic and pencil; Allen Downs, photographs; David Feinberg, oils; Lynn A. Gray, mixed media; Gary Hallman, photographs; Raymond Hendler, acrylics; Curtis C. Hoard, low fire ceramics; Warren Mackenzie, porcelain and stoneware; George Morrison, oils; Malcolm Myers, lithographs and watercolors; Katherine Nash, bronze sculpture; Wayne E. Potratz, sculpture; William Roode, oils; Herman Rowan, oils; Herman Somberg, oils and Saul Warkov, wood and rope sculpture.”


Robert Collins: Simple Design

When not processing, researching, or blogging about the WAM archival collection, I try to take some time to visit other museums – which I did this afternoon to view the Walker Art Center’s new exhibit, Graphic Design: Now in Production. The exhibit features the vast changes in design over the course of the past ten years. After my visit, my attention again returned to the WAM Files only to find that 58 years ago on this very day, November 5, 1953, a display of graphic designs and other works by Robert Collins, then assistant professor of design at the University, opened at the University Gallery.

A U News Service Press Release from October 26, 1953 (Digital Conservancy) describes the exhibition:

“The show covers Collins’ work since 1943. It includes paintings, caseins, drawings, textile and graphic designs and some illustrations and decorative drawings done for Ford Motor company publications.”

Two exhibit photographs were included in the folder titled, “Bob Collins” contained in Box 4:

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Correspondence between Ruth Lawrence, Gallery Director, and Collins reveal details of exhibit planning:

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Cats_100_RobertCollins_1953.jpgIn the catalog produced for the exhibit, Collins comments, “I would defeat my own purpose, here, if I continued to recount the complexities and intricacies of picture making, and of designing. No matter to what degree such involvements complicate the achievement of a coherent statement, the process remains essentially unchanged and fundamentally simple. One selects and puts together lines, shapes and colors.

After viewing the complexities and intricacies of designing of the past ten years this morning, encountering Collins’ 1953 exhibit and simple statement this afternoon – is simply appreciated.


Revealing Rollins

My eyes widened this week after I came across an online article from the Star Tribune, which reported upon the recent uncovering of lost artwork of the Minnesota artist Josephine Lutz Rollins: “Unburied treasure in Stillwater

Rollins joined the faculty of the University of Minnesota in 1927 and continued as an instructor until 1965. Her legacy as a Minnesota artist spreads far past the University, however. A 2007 exhibition organized by the Minnesota Historical Society and the Minnesota Museum of American Art titled, “In her Own Right: Minnesota’s First Generation of Women Artists,” placed Rollins alongside other female artists that contributed to the arts and culture of the state. A biography of Rollins can be found in an article on the exhibit from MPRnews.

The name “Rollins” has appeared several times in the WAM collection, specifically in folders and catalogs that document two exhibitions that were held at the University Gallery:

Historic Buildings in Minnesota: Jo Lutz Rollins, 1949

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“Mrs. Rollins has never for a moment forgotten that her task as an artist is not merely to record certain historical monuments, but somehow to translate these buildings into works of art which will exist and have value in and of themselves. She has never at any time lost sight of her task of organizing a two-dimensional area through the application of water color pigment. And not only do these paintings exist as fine formal statements of a most exacting medium, but a comparative study of the works illustrates how effectively and sensitively she has responded to the particular quality, the specific mood of the subject she was portraying. The paintings thus become not only a most illuminating mirror of Minnesota history, but more important, a fine interpretation and translation into an artistic medium of a century of Minnesota.” – H. H. Arnason, Chairman, Department of Art, Exhibit Catalog


Josephine Lutz Rollins: Retrospective Exhibition, 1962

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Mrs. Rollins appreciates what time does to man’s environment; she is attracted to a world that is not new and shiny. In her paintings the viewer finds few people; but they are not missed; for their trace is everywhere, in the way an old historic house sits on the land, in the look of a familiar river bank, in the enchantment of a foreign city. It has been her distinction to have reaffirmed the familiar in such a way as to have translated it into works of art of lasting merit.” – Sidney Simon, Director, University Gallery

WAM’s permanent collection contains many works by Rollins. View her water colors, drawings, and other works at the Digital Content Library.