Tag: Performance Studies

While organizing the 2017 permanent collection reinstallation at the Utah Museum of Fine Arts, Mythmaking and Truth-Telling: American and Regional Art, I made discoveries in the artist’s papers at the Archives of American Art that allow us to precisely date Miss Maude Adams, as “L’Aiglon” and to better contextualize the painting within the intellectual milieu of its creation.

Elizabeth Welch, PhD Candidate, Department of Art and Art History, University of Texas at Austin

The box commemorates, nearly to the day, the ninth anniversary of Cornell’s relationship with [Lillian] Moore, encapsulating a bit of the sparkle that she had lent to him with her positive response to his early ballet work.