Research Note Spring 2023 (9.1) Re-reading Wampum: The Penn Treaty Belt and Indeterminate Iconographies Kerr Houston
In the Round Fall 2022 (8.2) Pendant Across Time: John Singleton Copley and John Singer Sargent Caroline Culp
Colloquium Fall 2021 (7.2) Contact, and Contact Again: Reflections on an Eighteenth-Century Powderhorn Jennifer Y. Chuong, Kailani Polzak
Book Review Spring 2020 (6.1) Iconoclasm in New York: Revolution to Reenactment Reviewed by Caroline Culp
Book Review Fall 2019 (5.2) A Revolution in Color: The World of John Singleton Copley Reviewed by George W. Boudreau
Book Review Fall 2018 (4.2) Republic of Taste: Art, Politics, and Everyday Life in Early America Reviewed by Julia A. Sienkewicz
Book Review Spring 2018 (4.1) Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World Reviewed by Pamela A. Parmal
Book Review Fall 2017 (3.2) The American School: Artists and Status in the Late Colonial and Early National Era Reviewed by Marie-Stéphanie Delamaire
Research Note Summer 2017 (3.1) A Portrait of Samuel Finley Attributed to John Hesselius Megan Holloway Fort
In the Round Summer 2016 (2.1) Creative Combustion: Image, Imagination and the Work of Robert Fulton Elizabeth Bacon Eager
Exhibition Review Fall 2015 (1.2) To Be Sold: Virginia and the American Slave Trade and Purchased Lives: New Orleans and the Domestic Slave Trade, 1808–1865 Reviewed by Rachel Stephens
Book Review Fall 2015 (1.2) The Nation’s First Monument and the Origins of the American Memorial Tradition: Liberty Enshrined Reviewed by Sarah Beetham
Book Review Winter 2015 (1.1) Transporting Visions: The Movement of Images in Early America Reviewed by Austin Porter
