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National Parks are often referred to as “America’s best idea.” Recent scholarship and well-publicized difficulties within the agency have shown that, perhaps inevitably, the National Park Service and the extensive system that it manages, has taken on important characteristics of the society of which it is a part, for better or worse.
In November 2016, I visited Water/Ways, hosted from October 1 to November 13 at the Goodhue County Historical Society in Red Wing, Minnesota. This traveling exhibition and community engagement initiative— which then moved on to Sandstone, Minnesota—is part of the Smithsonian’s Museum on Main Street and is available at a series of venues nationwide through April 2017.
The 2013 Hispanic Issues On Line volume, Troubled Waters: Rivers in Latin American Imagination, is a collection of essays that underscores an intellectual turn in Hispanic and Lusophone Studies toward the environment, and more specifically, the material, metaphysical, and literary “nature” emblematic of rivers that flow south of the Río Grande.
Nearly twenty years ago Thomas Tweed and a host of collaborators, responding to the cultural and historiographic shifts of the era, called for narratives of the United States’ religious past that “draw on new motifs and plots and include a wider range of settings and characters” than those available at the time.